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Stanza bianca
Wittgenstein.jpg
I believe in all that has never yet been spoken. 
I want to free what waits within me
so that what no one has dared to wish for


may for once spring clear
without my contriving.


(Rainer Maria Rilke)

In our polyphonic performances, we are trying to activate all of our senses simultaneously, without contriving the process. The ultimate goal is the immersive experience where we “disappear.” We begin to perceive only on a subconscious level, in synergy: the music compliments poetry, scents interact with paintings and relevant pieces of films, and, eventually, we climb that imaginary staircase, towards the encounter with the genius.

Upcoming
Event

LL-26 Sincerity poster R3 HR.jpg
When
Apr 07, 2026, 7:00 PM
Where
New York,
7 E 95th St, New York, NY 10128, USA

Have you noticed something strange? The moment someone starts a sentence with “to be honest” or “if I’m being completely frank,” you instinctively tense up a little. Your inner voice goes: Oh great. Now it’s lying time.

Linguists clocked this ages ago: the more we underline sincerity with words, the more suspicious it sounds. Basically, “sincerely yours” feels more questionable than just “yours”.  Why is that?

So the next obvious question is: what is sincerity, anyway? I checked the dictionary. The Latin root sincerus means “whole,” “pure,” “without additives” — like honey or wine before someone decided it needed improvement.

Today, we usually understand sincerity as communication without makeup: natural, open, from the heart. Simply put — when what you feel matches what you intend to do.

Psychologists point out something that surprised me: the main enemy of sincerity isn’t lying, but ..😱shame! and the fear of being seen not exactly as we wish to be.

Philosophers worried about this long before therapists. In Chinese thought there is cheng: when words match the inner state, when you’re in harmony with yourself and society. Aristotle placed sincerity in the middle — not bragging, not self-erasing, just seeing clearly. No embellishing. No self-sabotage. (Obviously, I’m simplifying — mainly to avoid becoming tedious.)

For a long time, sincerity was basically the backbone of moral life 🙏🙏. Later, it quietly stepped aside for a newer word: authenticity. Suddenly it wasn’t enough to be consistent .. you had to be “real.”

Add two modern pressures - image and reputation - and sincerity starts acting up 🤡. Image is what we invent about ourselves. Reputation is what everyone else invents about us. Sincerity messes with both — it’s hard to control and almost impossible to edit.

Still, sincerity has one very practical advantage. A sincere person doesn’t need a good memory. No versions. No cover stories.You say it — and move on.

At the same time, the opposite experiment already exists. There’s a movie about total sincerity: Liar Liar. The hero is a lawyer whose whole life runs on lies … to others and to himself. He’s amazing at it. So amazing he even forgets his own son’s birthday. The kid makes a simple wish: that his father would never lie again 🙏. And -here’s the dangerous part😱the wish comes true! What follows is total collapse. Legal. Social. Personal. It’s actually a brutal experiment: a world where you can’t lie at all turns out to be unbearable.

Personally, I get a similar side effect from reading… Tolstoy.)) Every time I read him, I want to stop lying completely. After two or three days, you realize: everyone around you already quietly hates you 🙂. So that experiment usually ends too.

And maybe that’s the real paradox of sincerity. It’s too honest for everyday life, too dangerous for love, and too alive for image. But in those rare moments when it shows up without effort, without announcements there’s this feeling that nothing needs to be performed.

And that brings us to the theme of our next concert:

The Art of Sincerity — and Sincerity in Art.

NY RESONANCE 2025/2026
SAVE THE DATE!

May 19

Where Do We Go When We Go Crazy?
(Сошёл с ума — но куда?)
Madness and its Destinations

IMG_0074.JPEG

Schumann, Hölderlin, Heine, Wolf

Ute Gfrerer, voice
Leon Livshin, piano

NY Resonance TICKET POLICY

Program Changes and Cancellations
Programs and artists are subject to change. If an event presented by NY Resonance is cancelled or postponed, we will announce the change—if time permits—by email, phone, a letter sent to your home, and on www.nyresonance.com.

Single Ticket Sales
No refunds, no exchanges. Artists, programs, dates, and prices are subject to change.

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